Wow. I really did like this one. You've got an amazing subtle rhyme and rhythm here - and, most importantly and most difficultly, you keep the nontraditional rhyme scheme flowing with the rhythm harmoniously - nothing seems stilted, forced, or awkward. On a first readthrough, I think that what jumped out at me most as something you might want to take a second look at was the formatting of the first line of the second verse (i stole it from the cedars . This is a lovely and curious line, but for the rest of the stanza I'm not sure what 'it' is, and the rhythm falters a little bit here - I think adding a dash or semicolon (even a period!) might help it tie together a bit better. don't look down on a soul who's so pretty & proud I love this line - my favorite, perhaps, in the whole poem, because it's so bitter and personal and meaningful given the atmosphere and aura you've created with the rest of the poem (plus fifty life points, by the way, for using 'soul' beneficially in a poem - I RARELY see that nowadays). Really, the rest of the poem goes together beautifully - I love so much how yourself is left separate at the end, because freedom can also be very lonely. I have one more critique, though, and that's that at the lines where you divide quaking...my mind made a duck sound for a minute. I've seen it done before that a writer will do t h i s and leave a space between every letter to draw a word out; I wonder if that might work better for quaking here. Then again, this is all your poem, and a lovely poem at that! Why is it called perth?
Wow. I really did like this one. You've got an amazing subtle rhyme and rhythm here - and, most importantly and most difficultly, you keep the nontraditional rhyme scheme flowing with the rhythm harmoniously - nothing seems stilted, forced, or awkward. On a first readthrough, I think that what jumped out at me most as something you might want to take a second look at was the formatting of the first line of the second verse (i stole it from the cedars . This is a lovely and curious line, but for the rest of the stanza I'm not sure what 'it' is, and the rhythm falters a little bit here - I think adding a dash or semicolon (even a period!) might help it tie together a bit better. don't look down on a soul who's so pretty & proud I love this line - my favorite, perhaps, in the whole poem, because it's so bitter and personal and meaningful given the atmosphere and aura you've created with the rest of the poem (plus fifty life points, by the way, for using 'soul' beneficially in a poem - I RARELY see that nowadays). Really, the rest of the poem goes together beautifully - I love so much how yourself is left separate at the end, because freedom can also be very lonely. I have one more critique, though, and that's that at the lines where you divide quaking...my mind made a duck sound for a minute. I've seen it done before that a writer will do t h i s and leave a space between every letter to draw a word out; I wonder if that might work better for quaking here. Then again, this is all your poem, and a lovely poem at that! Why is it called perth?