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December 15, 2012
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catch your breath

in the skeletons of leaves

it varies - this land

these trees - it carries

the wind of my afterthoughts on the

mountain tops



i stole it from the cedars

they came to me when i was young

when dreaming was too keen of believing,

& forgetting was too fond of feeling.

i sent it off, & found it reeling

itself back in



i stood in the lakes

you stared at my quak

ing heart; tore apart your

self-made prison.

undone & dealing a thousand

sentiments on the tip of your tongue



i spilled wisdom

but saw my reflection

in the vapor, & this was when

i became older - & later on

told myself how to look beyond an hour




i've been emptier than the valleys, but now i am rushing with

new rhythm, & i think it's plain & lovely

(he always wanted something of me

felt like i was always next to nothing)

now it's simpler to be flooding

your walls than cascading inside

my body



don't look down on a soul who's so pretty & proud

i'm ripe & alive in your insides, but he was always

prying the wrong parts- he was overlooking

my heart



i was good to the ones who were cruel to me

i have no other form of breathing- i walk away when

i feel like leaving. there is no other form of

freeing

yourself
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:iconpomohippie7:
Your wonderful work has been showcased here: [link]
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:iconhazeltown:
*hazeltown Jan 30, 2013  Hobbyist Writer
thank you so much!
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:iconpomohippie7:
You're very welcome. :)
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:iconwinterkate:
~winterkate Dec 28, 2012  Student Writer
(for SWH's critique challenge)

Wow. I really did like this one. You've got an amazing subtle rhyme and rhythm here - and, most importantly and most difficultly, you keep the nontraditional rhyme scheme flowing with the rhythm harmoniously - nothing seems stilted, forced, or awkward. On a first readthrough, I think that what jumped out at me most as something you might want to take a second look at was the formatting of the first line of the second verse (i stole it from the cedars . This is a lovely and curious line, but for the rest of the stanza I'm not sure what 'it' is, and the rhythm falters a little bit here - I think adding a dash or semicolon (even a period!) might help it tie together a bit better. don't look down on a soul who's so pretty & proud I love this line - my favorite, perhaps, in the whole poem, because it's so bitter and personal and meaningful given the atmosphere and aura you've created with the rest of the poem (plus fifty life points, by the way, for using 'soul' beneficially in a poem - I RARELY see that nowadays). Really, the rest of the poem goes together beautifully - I love so much how yourself is left separate at the end, because freedom can also be very lonely. I have one more critique, though, and that's that at the lines where you divide quaking...my mind made a duck sound for a minute. I've seen it done before that a writer will do t h i s and leave a space between every letter to draw a word out; I wonder if that might work better for quaking here. Then again, this is all your poem, and a lovely poem at that! Why is it called perth?
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:iconhazeltown:
*hazeltown Dec 29, 2012  Hobbyist Writer
Thank you for the elaborate critique! It was very stimulating. "Perth" by Bon Iver is what I was listening to when I wrote it!
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:iconwinterkate:
~winterkate Jan 1, 2013  Student Writer
Welcome :) and lol, that does make sense!
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:iconsammur-amat:
=Sammur-amat Dec 22, 2012   General Artist
Congratulations on the DLD, sweetie <3
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:iconhazeltown:
*hazeltown Dec 22, 2012  Hobbyist Writer
Thanks!
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:iconsammur-amat:
=Sammur-amat Dec 23, 2012   General Artist
Of course! (:
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:iconkaitforest:
congrats on the dld :D
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